Supervising Sound Editor, Sound Designer

Home Town: Akron, OH
First Concert: The Beatles

"What I enjoy the most about my craft is collaborating with filmmakers and honing in on each of their unique storytelling approach. It's all about focusing the audience's attention by the use of special sounds and methods of sonic expression. I love that there are no rules when it comes to sound editing and design. It's so much fun playing in the ‘sonic sandbox’ to develop the most flavorful environment possible, fun stuff." Hecker’s introduction to sound occurred while he worked as a driver and apprentice at Angel Editorial (later Blue Light Sound). He spent 12 years establishing his career at Blue Light, and went on to work independently for a decade, furthering his knowledge and passion for the sound industry. Following stints at Todd-AO and Soundelux, he served as Director of Sound Editorial and Supervising Sound Editor/Designer for Universal Studios Editorial for another 12 years before joining Formosa Features in the fall of 2014.

Select Credits

Operation Finale Chris Weitz MGM Supervising Sound Editor
Justice League Zack Snyder Warner Bros Supervising Sound Editor
Batman v Superman: Dawn of Justice Zack Snyder Warner Bros Supervising Sound Editor
Mad Max: Fury Road George Miller Warner Bros Supervising Sound Editor
Man of Steel Zack Snyder Warner Bros Supervising Sound Editor
Select Awards / Nominations

Mad Max: Fury Road CAS Award Winner Best Sound Editing: FX/Foley In A Feature Film

Mad Max: Fury Road BAFTA Award Nominee Best Sound

Mad Max: Fury Road HPA Award Nominee

Total Recall BAFTA Award Nominee

Road to Perdition Golden Reel Winner Best Sound Editing: Sound Effects & Foley

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